Post by Deleted on Aug 22, 2011 15:42:17 GMT -6
Character: Evrard Arnaud Ludovic-Marcellin
Age: 42
Gender: Male
Occupation: Director of Administration for the Louvre Museum
Height: 6’3”
AI: Lambert Wilson
Appearance: With silvering brown hair and slowly aging features on a long, gaunt face, Evrard walks with the pride and energy of someone half his age. He also shares the vanity of a man half his age. As long as he is in view of the public, his hair is always kept with great precision, whether it is greased back against his scalp or combed over to near perfection. Sharp, hazel irises lie below thin curved brows, always seeming to switch from condescending amusement to a hardness of great serious. They probe and collect and devour every detail they can lay hold of and can sometimes be found behind a pair of plain, rimless glasses. Otherwise, contacts take there place. Full, engaging lips inherited from his mother are mostly seen with a slight curve at the tips, constantly signifying amusement and/or conceit.
Personality: The eldest of two children, Evrard is used to control. A mild mannered child to begin with, he transformed into a young man of conceit and a man of pleasure. Almost being too smart for his own good, he usually has a large mouth when it comes to conversations. If the subject tires him, he will revert to mockery or whatever form of speech will amuse him, even if it involves hurting the other person. When interested in something new, he can suddenly become reserved and very retentive, listening more than speaking. A gentleman in all forms on the outside, he can be coarse and vulgar when he feels like it, regardless of his company or his surroundings. Usually, he is wise in making his battles. Because he is required to speak daily in front of many people each day due to the nature of his work, he is not a shy individual. Depending on his mood, he can be open-minded one moment and stubbornly closed-minded another moment. He possesses a charm that he can turn on and off at his will and has used it countlessly over his matured life for his pleasurable games.
History: On the sweltering day of July 26th, 1968 at Le Clinique Emilie de Vialar, Evrard Arnaud Ludovic-Marcellin's first cries into this world rang through the small hospital room in Lyon, France. His brother, Matthieu was born three years later. Born and raised for eighteen years in Lyon, France, he was brought up in an environment of art. His father, Arnaud Ludovic, was a freelance photographer renowned in the area for his eye for light, colors and angles. His mother, Danielle Marcellin, was in the performing arts. A semi-successful actress that traveled mainly in France due to her work, she was more of a local celebrity than an international one. Evrard was exposed to both arts and pursued both careers in his youth. Photography became a hobby, a pleasurable pass time when he was not studying, writing, or occupying himself with the outdoors. Money came to him at ease as his parents made a fair combined salary that placed them in the upper middle class. Plus, from the age of twelve to sixteen, he began working with his father as an apprentice photographer with a pay of minimum wage.
It was in secondary school that his interest in theater finally soared and he participated in as much as he could in the drama department. His acting was between mediocre and outstanding and he realized that, rather than improving and pursuing his acting dream, he moved on in search for another interest. It was in the middle of his sixteenth year when he finally found his love for all arts. He loved watching them, examining them and one day longed to be a part of the work that went into operating his favorite places: museums. At the age of seventeen, he began simple work at the Museum of Fine Arts. He grew infatuated with the building, home to the most beautiful and wondrous exhibits he had seen in his young life. The museum’s garden was a great place for him to lose himself in his youth and curiosity. Thus, he worked harder than ever before in pursuing the spot of curator of the Museum of Fine Arts, Lyon.
After his graduation from his secondary education, he moved to Jouy-en-Josas on the outskirts of the nation’s capital. Here – after much hard work and grueling studies – he was admitted into the prestigious HEC School of Management. At the age of 27, Evrard ultimately graduated from the grande école with a master’s in project and financial management. Since leaving Lyon, he only wrote to his family once a year. He wrote his last letter a week before he graduated. Over the course of his education, he became highly fluent in English and was fairly learned in Spanish and German. With his newfound knowledge and experience, he headed into the heart of his beloved country: Paris. It was a place like no other for him and held much more vigor than his home Lyon. It was love at first site and it was during this time that he first visited the esteemed Musée de Louvre. Lyon’s Museum of Fine Arts were soon shoved from his mind, instead replaced by the wonder that was and still is the Louvre. As soon as he found a small, humble residence in bustling Paris, he applied for work at the prestigious museum. Beginning as an assistant to the Director of Exhibits, he worked diligently and with great joy in his work for three years. After seven years of moving up the ranks, sweating and toiling, he finally became the Director for Administration for the Louvre, managing finances, projects, human resources, and information. He has been the Director of Administration for six years and has no desire to do anything else for a living.
Other: Contact with his family is rare and doesn’t happen for months on end. From his infrequent contacts, he has learned that his brother is fairing well as an engineer of some sort, as well as being a husband and father of four. He has heard little of his parents other than they are doing all right for their ripe age.
He can sing fairly well, from his theater days in secondary school.
His love for theater still lives on as shown in his patronage of the arts at the Paris Opera House.
Age: 42
Gender: Male
Occupation: Director of Administration for the Louvre Museum
Height: 6’3”
AI: Lambert Wilson
Appearance: With silvering brown hair and slowly aging features on a long, gaunt face, Evrard walks with the pride and energy of someone half his age. He also shares the vanity of a man half his age. As long as he is in view of the public, his hair is always kept with great precision, whether it is greased back against his scalp or combed over to near perfection. Sharp, hazel irises lie below thin curved brows, always seeming to switch from condescending amusement to a hardness of great serious. They probe and collect and devour every detail they can lay hold of and can sometimes be found behind a pair of plain, rimless glasses. Otherwise, contacts take there place. Full, engaging lips inherited from his mother are mostly seen with a slight curve at the tips, constantly signifying amusement and/or conceit.
Personality: The eldest of two children, Evrard is used to control. A mild mannered child to begin with, he transformed into a young man of conceit and a man of pleasure. Almost being too smart for his own good, he usually has a large mouth when it comes to conversations. If the subject tires him, he will revert to mockery or whatever form of speech will amuse him, even if it involves hurting the other person. When interested in something new, he can suddenly become reserved and very retentive, listening more than speaking. A gentleman in all forms on the outside, he can be coarse and vulgar when he feels like it, regardless of his company or his surroundings. Usually, he is wise in making his battles. Because he is required to speak daily in front of many people each day due to the nature of his work, he is not a shy individual. Depending on his mood, he can be open-minded one moment and stubbornly closed-minded another moment. He possesses a charm that he can turn on and off at his will and has used it countlessly over his matured life for his pleasurable games.
History: On the sweltering day of July 26th, 1968 at Le Clinique Emilie de Vialar, Evrard Arnaud Ludovic-Marcellin's first cries into this world rang through the small hospital room in Lyon, France. His brother, Matthieu was born three years later. Born and raised for eighteen years in Lyon, France, he was brought up in an environment of art. His father, Arnaud Ludovic, was a freelance photographer renowned in the area for his eye for light, colors and angles. His mother, Danielle Marcellin, was in the performing arts. A semi-successful actress that traveled mainly in France due to her work, she was more of a local celebrity than an international one. Evrard was exposed to both arts and pursued both careers in his youth. Photography became a hobby, a pleasurable pass time when he was not studying, writing, or occupying himself with the outdoors. Money came to him at ease as his parents made a fair combined salary that placed them in the upper middle class. Plus, from the age of twelve to sixteen, he began working with his father as an apprentice photographer with a pay of minimum wage.
It was in secondary school that his interest in theater finally soared and he participated in as much as he could in the drama department. His acting was between mediocre and outstanding and he realized that, rather than improving and pursuing his acting dream, he moved on in search for another interest. It was in the middle of his sixteenth year when he finally found his love for all arts. He loved watching them, examining them and one day longed to be a part of the work that went into operating his favorite places: museums. At the age of seventeen, he began simple work at the Museum of Fine Arts. He grew infatuated with the building, home to the most beautiful and wondrous exhibits he had seen in his young life. The museum’s garden was a great place for him to lose himself in his youth and curiosity. Thus, he worked harder than ever before in pursuing the spot of curator of the Museum of Fine Arts, Lyon.
After his graduation from his secondary education, he moved to Jouy-en-Josas on the outskirts of the nation’s capital. Here – after much hard work and grueling studies – he was admitted into the prestigious HEC School of Management. At the age of 27, Evrard ultimately graduated from the grande école with a master’s in project and financial management. Since leaving Lyon, he only wrote to his family once a year. He wrote his last letter a week before he graduated. Over the course of his education, he became highly fluent in English and was fairly learned in Spanish and German. With his newfound knowledge and experience, he headed into the heart of his beloved country: Paris. It was a place like no other for him and held much more vigor than his home Lyon. It was love at first site and it was during this time that he first visited the esteemed Musée de Louvre. Lyon’s Museum of Fine Arts were soon shoved from his mind, instead replaced by the wonder that was and still is the Louvre. As soon as he found a small, humble residence in bustling Paris, he applied for work at the prestigious museum. Beginning as an assistant to the Director of Exhibits, he worked diligently and with great joy in his work for three years. After seven years of moving up the ranks, sweating and toiling, he finally became the Director for Administration for the Louvre, managing finances, projects, human resources, and information. He has been the Director of Administration for six years and has no desire to do anything else for a living.
Other: Contact with his family is rare and doesn’t happen for months on end. From his infrequent contacts, he has learned that his brother is fairing well as an engineer of some sort, as well as being a husband and father of four. He has heard little of his parents other than they are doing all right for their ripe age.
He can sing fairly well, from his theater days in secondary school.
His love for theater still lives on as shown in his patronage of the arts at the Paris Opera House.
